Partition and the Chaos of Independence
On the eventful evening of August 14, 1947, within the confines of the Viceroy’s House in New Delhi, Lord Mountbatten and his wife sought refuge in a Bob Hope movie, “My Favorite Brunette", while a short distance away, Jawaharlal Nehru delivered his poignant speech in India’s Constituent Assembly. “Long years ago, we made a tryst with destiny,” he declaimed. “At the stroke of the midnight hour, when the world sleeps, India will awake to life and freedom.” Meanwhile, outside the protected bubble of New Delhi, the cataclysm of partition unfolded with brutal swiftness, tearing apart the intricate tapestry of one of the world's most diverse nations. As a British Barrister draws a line on a map, a once peaceful land implodes and as soon as the ink dried on the partition plan, India was cleaved into two separate entities, India and Pakistan, sparking a wave of violence and displacement. Punjab, the epicenter of the turmoil, descended into a nightmare of bloodshed and chaos. Communities that have lived together for centuries turn on each other in one of the worst communal massacres of the 20th century. Nisid Hajari, in “Midnight’s Furies” describes how long lines of impoverished refugees escaping violence extended for over 50 miles. Weary peasants walked along the road, while guerrillas on horseback emerged from the tall crops to attack them mercilessly. Refugee trains, initially packed to capacity, faced repeated ambushes during their journey. Tragically, many crossed the border in sombre silence, with blood seeping from beneath the doors of their carriages. He further describes horrific scenes where marauding gangs terrorized villages, murdering men, women, and children, and subjecting young women to rape. Some observers compared the atrocities to Nazi death camps, citing instances of extreme brutality such as pregnant women having their breasts mutilated and infants being roasted on spits.
Cities like Karachi and Delhi bore witness to a seismic shift in demographics, as populations were uprooted and forcibly displaced in the blink of an eye. For celebrated author Ahmed Ali, whose literary masterpiece "Twilight in Delhi" immortalized the soul of old Delhi, the partition meant exile to Karachi, a bitter separation from his beloved city and its rich cultural heritage. He describes his pain in the following words, “The civilization of Delhi came into being through the intermixing of two different cultures, Hindu and Muslim, now Delhi is dead...All that made Delhi special has been uprooted and dispersed.” He lamented especially the fact that the refinement of Delhi Urdu had been destroyed: “Now the language has shrunk. So many words are lost.” The scars of partition etched deep into the collective memory, serve as a haunting reminder of the human cost of freedom and the enduring legacy of loss and displacement.
Women became particular targets of this violence, as their bodies became symbols of the community’s honour. During this era, women endured gender-based violence from both their family members and individuals belonging to different religious groups. They were subjected to abduction, sexual assault, public shaming, and genital mutilation. Honour killings by family members and coerced suicides to preserve their chastity were tragically common. As Ambika Tandon highlights in her article on 'Feminism in India,' the concluding scene powerfully illustrates the anguish experienced by victims, who were often victimized by men from their communities as well as outsiders. Kamla Bhasin and Ritu Menon, in their work "Borders & Boundaries: Women in India’s Partition," uncovered that approximately 50,000 women were reported abducted while journeying to Pakistan, while another 33,000 faced similar fate while attempting to migrate to India. Urvashi Butalia, in "The Other Side of Silence," echoed these findings, estimating a total of 75,000 women abducted from both sides of the border. However, the actual figures are presumed to be higher due to many incidents remaining unnoticed and unrecorded amidst the chaotic circumstances of the period. Violence against women persisted, involving torture, mutilation, and psychological anguish. Jisha Menon, in her book "The Performance of Nationalism: India, Pakistan, and the Memory of Partition," describes how women's bodies became sites for violent acts during Partition. Gender-based violence positioned women in a complex space between symbolic representation and physical reality. They endured branding on their breasts and tattoos of triumphal slogans or religious symbols on their bodies and genitalia. The kidnapped women were coerced into serving as household workers and sexual objects, with some being pushed into prostitution. During the Partition, this brutal treatment of women shattered any semblance of identity or social standing they had within the existing patriarchal structure. Recovered women across borders experienced renewed humiliation and trauma, with their children often denied legitimacy and many forcibly separated from them. Pregnant women were pressured into giving up their children for adoption or undergoing abortions, leading to the separation of thousands of vulnerable children from their mothers, who were then adopted by individuals primarily for domestic labour.
The Partition sparked one of history's most violent and horrific periods, showcasing the patriarchal mindset that viewed women as symbols of honour. The violence of Partition depicted women as possessions used to communicate retaliation between opposing male groups. Amidst villages being looted and razed, women endured mutilation and sexual abuse, with migrant trains carrying dismembered bodies in both directions. As the famous poet Nida Fazli wrote when he first visited Pakistan;
“इंसान में हैवान यहाँ भी हैं वहाँ भी
अल्लाह निगहबान यहाँ भी है वहाँ भी
खूँखार दरिंदों के फ़क़त नाम अलग हैं
शहरों में बयाबान यहाँ भी है वहाँ भी।“
Several writers have depicted the horrors of partition, capturing the immense human suffering and communal violence that accompanied the partition of India in 1947 for example Khushwant Singh- an Indian novelist and journalist, wrote “Train to Pakistan,” a powerful novel that delves into the tragedy of partition through the lens of a small village on the border of India and Pakistan, Bapsi Sidhwa, a Pakistani-American novelist, wrote, “Ice Candy Man” (also known as “Cracking India”), which provides a child’s perspective of the partition. Through the eyes of a young girl, Sidhwa depicts the horrors of partition and its impact on ordinary people. However if there’s someone capable of bringing us face to face with the gory realities of the partition, it is Manto. Saadat Hasan Manto, a renowned Urdu writer, is known for his poignant and realistic portrayals of the partition’s brutality. His short stories like “Toba Tek Singh”, “Thanda Gosht” and “Khol do” vividly depict the chaos, violence, and psychological trauma experienced by people during partition. Manto is unparalleled in his ability to depict the complex and intense nature of communal conflict, particularly evident in his numerous short stories that highlight the despair and displacement resulting from the 1947 partition of Pakistan and India. Manto vividly portrays the rage and horrors of the time, capturing the trauma of refugees displaced and victimized by arbitrary border divisions. His characters, facing the brutal reality of Hindu-Muslim violence including murder, rape, and mutilation, can only react with a sense of madness. He viewed the violence during Partition as a form of shared insanity. Manto does not see the perpetrators as Hindu or Muslim, Hindustanis or Pakistanis, he just sees and depicts them as human beings with all their wilderness and barbarity. His stories knock the veil off the uneasy truths of partition.
In a nutshell, Partition is a lasting consequence of British imperialism, which saw former colonies divided along religious and ethnic lines, reminiscent of the biblical tale where Solomon suggested splitting a disputed infant. However, drawing borders proved to be a double-edged sword, as no map line could neatly separate populations, especially in regions already plagued by animosity and suspicion. By 1948, over fifteen million individuals had been displaced, and approximately one to two million had perished as the significant migration came to an end. Partition holds a pivotal role in shaping the modern identity of the Indian subcontinent, much like the Holocaust does for the Jewish identity, leaving a lasting impact marked by memories of extreme violence. Esteemed Pakistani historian Ayesha Jalal regards Partition as the key historical event of twentieth-century South Asia, describing it as a defining moment that continues to shape how the people and nations of postcolonial South Asia view their past, present, and future.