In the vast spiritual cosmos of Sanatan Dharma, the universe is often seen as emerging from and sustained by a supreme feminine energy, Shakti. This belief forms the foundation of the Shakta tradition, one of the prominent streams of Hinduism. Within this tradition, a unique and powerful group of ten goddesses known as the Dasa Mahavidyas — or the Ten Great Wisdoms — hold a central and mystical place. Each of these ten goddesses represents a distinct facet of the Divine Mother, combining philosophical depth, spiritual symbolism, and radical expressions of divine power.
For those unfamiliar with these goddesses, their depictions may initially appear terrifying or shocking. Images of goddesses standing on corpses, holding severed heads, adorned with skull garlands, or standing nude amidst cremation grounds challenge conventional religious aesthetics. This visual iconography, however, is far from arbitrary; it represents profound spiritual truths, metaphysical realities, and psychological symbolism that demand a deeper exploration.
The earliest references to the Mahavidyas can be found in texts such as the Mahabhagavata Purana and the Brihaddharma Purana. These scriptures offer mantras, dhyana (meditation) verses, and stories associated with each goddess. A famous verse often cited lists the Mahavidyas as:
"Kali Tara Mahavidya Shodashi Bhuvaneshwari,
Bhairavi Chhinnamasta cha Dhumavati Tatha Bagala,
Siddhavidya Matangi cha Kamala Dasavidya smritah."
Often considered the first and the foremost among the Mahavidyas, Kali represents the power of time, death, and transformation. Her appearance is dark and fearsome: she has dark skin, four arms, disheveled hair, a garland of skulls, and a protruding tongue. She stands on the supine body of Lord Shiva — a scene filled with symbolism. Her left hands hold a severed head and a blood-stained sword, while her right hand is in abhaya (protection) and varada (boon-giving) mudras.
Kali’s nudity and cremation-ground setting break all social norms, symbolizing the transcendence of illusion and ego. She is not merely a destroyer but a liberator, cutting through ignorance and revealing the ultimate truth.
Closely resembling Kali in appearance but with a more maternal undertone, Tara is the goddess of guidance, protection, and salvation. She is often shown holding a lotus, scissors, sword, and a blue lotus, and is revered as a savior who leads devotees across the sea of samsara (worldly existence).
Tripura Sundari, also known as Shodashi, represents beauty, bliss, and cosmic order. She is depicted as a sixteen-year-old girl of sublime beauty, sitting on a throne supported by Brahma, Vishnu, Shiva, and Rudra. She symbolizes the ultimate reality expressed through a blissful experience.
Bhuvaneshwari means "Mistress of the World". She is a regal and maternal goddess who represents space, creation, and sovereignty. Her calm demeanor, adorned with jewels and sitting on a lotus, indicates that the entire cosmos operates under her command.
Bhairavi is an embodiment of divine wrath, spiritual austerity, and self-control. Often depicted with bloodshot eyes and holding weapons, she represents the inner energy that burns impurities and propels the aspirant toward liberation.
Perhaps the most visually shocking among the ten, Chhinnamasta is shown as having decapitated her head, which she holds in one hand. From her neck, three streams of blood flow — one entering her mouth, and two feeding her attendants. She stands over a copulating couple, symbolizing the transcendence of desire.
Dhumavati is portrayed as an old widow, riding a chariot without horses, and holding a winnowing basket. She is devoid of ornaments, with disheveled hair and a melancholic face. Dhumavati represents loss, inauspiciousness, and spiritual detachment.
Bagalamukhi is the goddess who can paralyze speech, motion, and thoughts. She is often shown pulling out the tongue of a demon, symbolizing control over the mind and enemies. Devotees worship her for victory in debates, legal battles, and conflicts.
Matangi resembles the more well-known goddess, Saraswati, as she governs speech, music, and knowledge. However, she is portrayed as an outcast, reminding us that divine truth can emerge from unexpected quarters.
The last in the list, Kamala, is akin to Lakshmi, the goddess of wealth, fortune, and abundance. She is seated on a lotus, surrounded by elephants, and showers gold coins upon devotees.
While many people believe the Mahavidyas can only be worshipped through complex Tantric rituals, there are simple and devotional methods that can be performed at home, without the need for formal initiation or elaborate procedures. In many families, devotees honor these goddesses with love, faith, and daily offerings, proving that heartfelt devotion is more important than ritual perfection.
Here are some accessible practices:
Each Mahavidya has her stotra or kavacha that can be recited as a form of worship. These include: Kali Stotra (e.g., "Dakshina Kali Stotra", "Kali Sahasranama"), Tara Ashtakam, etc. Even reading or listening to these verses from trusted sources daily with a pure mind counts as worship.
One can offer fresh flowers, a diya (oil lamp), incense, and a spoonful of water to the goddess’s image or printed picture. A clean and dedicated space in the home can be used. Devotees chant a simple mantra like:
“ॐ ऐं ह्रीं क्लीं चामुण्डायै विच्चे।”
or
“ॐ क्रीं कालिकायै नमः।”
These basic steps, done with sincerity, are spiritually effective.
Chanting the names of the Mahavidyas with folded hands every day, especially in the early morning or evening, fosters a profound spiritual connection. This can be done in any language, with devotion.
Simple Fasting on Fridays, Tuesdays, or new moon days (Amavasya) with simple prayers, lamp offerings, and food items like kheer, coconut, or jaggery.
Reading stories from the Puranas, or watching documentaries or discourses about the Mahavidyas with reverence, is also considered a form of devotion. This engages the mind and heart together in their remembrance.
The Mahavidyas challenge our ideas of what the divine "should" look like. While mainstream religious imagery often emphasizes peace, beauty, and benevolence, the Mahavidyas confront us with the raw, intense, and untamed aspects of existence. While the Mahavidyas may seem radical, they are deeply embedded within the core philosophies of Hinduism. They represent the Tantric vision of divinity, where the sacred is found in both the beautiful and the terrifying.
The Ten Mahavidyas form one of the most profound, mysterious, and transformative aspects of Hindu spirituality. Whether approached through intense sadhana or simple, heartfelt puja in a family setting, they respond to devotion, not display.
Their presence in temples, scriptures, and homes across the country showcases that these powerful goddesses are not distant or restricted — they are accessible, merciful, and ever-present, guiding the seeker from darkness to light, from fear to freedom, from illusion to truth.